{"id":14140,"date":"2026-10-06T20:15:26","date_gmt":"2026-10-06T18:15:26","guid":{"rendered":"https:\/\/arxxitektura.rs\/?p=14140"},"modified":"2026-10-16T10:10:39","modified_gmt":"2026-10-16T08:10:39","slug":"arhitekta-karlo-skarpa-autorska-rekonstrukcija-nasledja","status":"publish","type":"post","link":"https:\/\/arxxitektura.rs\/en\/arhitekta-karlo-skarpa-autorska-rekonstrukcija-nasledja\/","title":{"rendered":"Kako rekonstruisati pro\u0161lost? Arhitekta Karlo Skarpa"},"content":{"rendered":"
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Italijanski arhitekta Karlo Skarpa (Carlo Scarpa) rodjen je u Veneciji koja je bila njegovo glavno polje delovanja.\nVenecija je arhitektonska riznica u kojoj se malo \u0161ta menja po pitanju arhitekture. No, isto tako, Venecija je doma\u0107in Bijenalu savremene umetnosti i arhitekture. Karlo Skarpa je 20 godina delovao kroz postavke bijenala i na taj na\u010din bio u dodiru sa najsavremenijim umetni\u010dkim uticajima.<\/p>\n\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1948. je postavio prvu instalaciju na Bijenalu i to za izlo\u017ebeni Paviljon Pegi Gugenhajm<\/a><\/strong>. Dalje, projektovao je ulazni objekat- biletarnicu Bijenala, park skulptura i Paviljon Venecuele. Za svoje stvarala\u0161tvo bio je nagradjen Diplomom Honoris Causa za arhitekturu 1978. od strane Univerziteta u Veneciji.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rekonstrukcija muzeja na na\u010din Karlo Skarpa<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Italijanski arhitekta Karlo Skarpa specijalizovao se za rekonstrukcije muzeja. U tom procesu uspostavlja svoja, savremena pravila u tretiranju arhitektonskog nasledja. Njegov zna\u010daj u ovoj oblasti je nemerljiv. Najpoznatija dela vezana za obnovu i revitalizaciju su Verona- Muzej \u00a0Kastelvekio (Castelvecchio), od XIII\/ XX veka, Venecija- Muzej Correr, Biblioteka Kuerini Stampalja (Querini Stampalia) XIX vek,\u00a0 Sicilija- Palata Avateli (Palazzo Avateli) XV vek.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kako uo\u010diti Skarpin rad na poznatim objektima?<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Osnova arhitektonske ideje Karlo Skarpa<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Osnova Skarpine ideje je geolo\u0161ki pristup- jasno vidljive naslage vremena. Sa ovim principom se upoznao kroz rad na starim objektima, prepravljanim vi\u0161e puta kroz vekove postojanja. Svaki novi vlasnik objekta dodavao je ne\u0161to svoje, primereno ili neprimereno stilu vremena u kom je \u017eiveo. Rezultat su fuzije stilova i nadogradnji kao svedo\u010danstvo razli\u010ditih epoha.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Izlog radnje Gavina, Bologna, arh. Karlo Skarpa, Paolo Monti, CC BY-SA 4.0 , via Wikimedia Commons<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Nije sve iz pro\u0161losti vrednije od sada\u0161njosti<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Arhitekta Karlo Skarpa vrlo hrabro\u00a0 ocenjuje arhitektonske vrednosti objekata na kojima radi i jasno stavlja do znanja da nije sve iz pro\u0161losti vrednije od sada\u0161njosti.<\/p>

Posebno je po\u0161tovao autenti\u010dnost\u00a0 arhitektonskog stila, odnosno, insistirao na originalnim arhitektonskim ostacima iz pro\u0161losti.\u00a0\u00a0<\/p>

Njegov pristup rekonstrukciji podrazumeva da arhitektonska dorada na nasledju mora odra\u017eavati trenutak nastanka. Pored ovoga, mora imati autorsku vrednost.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fasada objekta Gavina<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Li\u010dni autorski pe\u010dat formirao je godinama. Pri arhitektonskim intervencijama na nasledju, on je neophodan.<\/p>

Fasada objekta Gavina na najjednostavniji na\u010din prikazue ovaj princip.\u00a0Na postoje\u0107u fasadu stambenog objekta dodat je novi sloj fasade u vidu betonskog zida. Sam objekat, originalno, nema likovne vrednosti koje bi sakrio ovaj novi sloj- objekat je izuzetno jednostavan.<\/p>

\u00a0Na novom zidu su prozori okruglog oblika, preuzeti iz japanske arhitekture koja je bila njegova velika inspiracija. Udvojeni krugovi su njegov li\u010dni izum<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Uticaj Mondriana u kombinaciji sa arhitekturom Japana<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mozaik pod, Venecija, Karlo Skarpa, \"Carlo Scarpa \u00e0 la Fondation Querini Stampalia (Venise)\" by dalbera is licensed under CC BY 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Skarpino obrazovanje je iz slikarstva i skulpture, a rad na Venecijanskom Bijenalu dovodio ga je u dodir sa najnovijim umetni\u010dkim delima savremenih umetnika. Njihove uticaje utkao je u svoj autorski izraz sa prepoznatljivim Mondrianom.<\/p>

Konkretno, Mondrianova slika \u0160ahovska tabla<\/a><\/strong> (mo\u017eete je pogledati klikom na link) prona\u0161la je svoju primenu na podovima i zidovima mermernog, kamenog ili staklenog mozaika. Ova slika iz ranih faza Mondriana prepoznatljiv je izabrani motiv u skoro svim objektima na kojima je radio. Venecijanska biblioteka Kuerini Stampalja<\/em> ima taj motiv na podu, muzej Kastelvekio u Veroni na ulaznom aneksu .<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Japanski paneli <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Zajedni\u010dki motiv u slikama Mondriana i u Japanskim enterijerima su paneli oivi\u010deni crnim linijama.\u00a0<\/p>

Kod Skarpinih enterijera javljaju se ovakvi paneli kako na zidovima, tako i na plafonima i podovima.<\/p>

Oni su jasno izdvojeni iz postoje\u0107ih zidanih povr\u0161ina, zaista imaju \u201csvoj \u017eivot\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Pogledajte kako izgledaju u Muzeju Correr na Trgu Svetog Marka u Veneciji.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Postavka slike Messina, Muzej Korer, Venecija<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Karlo Skarpa dizajn izlo\u017ebenog prostora, travertin, Muzej Korer, Venecija<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Venecija, Muzej Korer, Postavka Karlo Skarpa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Venecija, rekonstrukcija Biblioteke Querini- Stampalia,<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Promene koje je uneo arhitekta Karlo Skarpa u sistem rekonstrukcije vrednih objekata nasledja najlak\u0161e se uo\u010davaju na primeru Venecije. Riznica arhitektonske ba\u0161tine, neprocenjive vrednosti, nije bio lak zadatak. Ipak, upravo ovde Skarpa uspostavlja autroski sistem rekonstrukcije.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kako arhitektonski re\u0161iti problem \"Visoke vode\" tipi\u010dan za Veneciju?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0Biblioteka Kuerini Stampalja osnovana je 1869.g. \u00a0Gradona\u010delnik Venecije poziva arhitektu Karla Skarpu da napravi rekonstrukciju poznate biblioteke. Posebno je zahtevao re\u0161enje problema \u201cVisoke vode\u201d, tipi\u010dnog fenomena Venecije- visoki porast nivoa mora prouzrokuje poplavu prizemnih eta\u017ea objekata.<\/p>

Skarpa je na objektu napravio novi most sa stepeni\u0161tem- novi ulaz. Prizemlje je potpuno prekodirano u umetni\u010dki izraz autora, dok su\u00a0 prostorije na gornjim spratovima restaurirane u originalnom obliku.<\/p>

U pod prizemlja uvodi oivi\u010dene staze od betona, kojima je mogu\u0107e kretati se prilikom “visoke vode”, a ostati suvih stopala. Posebno je interesantno unutra\u0161nje stepeni\u0161te ka kanalu sa nepravilnim stepenicima. Ovo je prepoznatljiv, autorski rad.<\/p>

\u00a0Na fotografiji se vidi mermerni podni mozaik inspirisan\u00a0\u00a0 Mondrianovom slikom “\u0160ahovska tabla”. U pozadini su vidljive obloge zidova- beli paneli, uokvireni crnim ramom, koji podjednako podse\u0107aju na slike doti\u010dnog autora koliko i na tradicionalni japanski enterijer.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Zen vrt<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mala fontana u zen vrtu, autor Karlo Skarpa, \"Fondazione Querini-Stampalia, Carlo Scarpa, 1963\" by Tim Brown Architecture is licensed under CC BY 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ba\u0161ta palate poseban je arhitektonski zadatak koji je sebi zadao Skarpa. Ovde je potpuno uo\u010dljiva njegova ljubav prema japanskim zen vrtovima. Dizajn je primenio na fontani- lavirintu u kome se voda preliva sa razli\u010ditih nivoa i kru\u017ei po dvori\u0161tu.<\/p>

Kretanje vode unosi dinamiku u vrt malih dimenzija, tipi\u010dnih za Veneciju.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fontana postaje nezaobilazni element njegove arhitekture<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Beton kao autorski pe\u010dat Karla Skarpe<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Stari\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t
Venecija, ulaz u Filosofski fakultetm Karlo Skarpa, \"carlo scarpa: entrance to the faculty of philosophy, venice, italy, 1976-1978. november 2006\" by seier+seier is licensed under CC BY 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Skulpturalna\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t
Ulaz u Arhitektonski fakultet, Venecija, Karlo Skarpa, \"File:Main Gate of the Tolentini building headquarters of Universit\u00e0 Iuav di Venezia (Iuav university of Venice) designed by Carlo Scarpa.jpg\" by Jean-Pierre Dalb\u00e9ra is licensed under CC BY 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Izbor betona za materijal direktna je veza sa modernom arhitekturom XX veka. No, pored toga, beton je izum kojii pripada starom Rimu. Skarpa ga izvla\u010di na povr\u0161inu objekta i daje mu likovnu ulogu.<\/p>

Usmereno kretanje betonskim oivi\u010denim stazama, nastalo je iz potrebe za odbranu od visoke vode u Venecijanskoj palati Kuerini Stampalja. Medjutim, arhitekta slobodno koristi taj prostorni motiv i na drugim objektima kojima nije potrebna takva odbrana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Beton kao kontrast<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Arhitektonski\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t
Arhitektonski fakultet Venecija, Karlo Skarpa<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Beton ima ulogu upadljivog detalja koji mo\u017ee naglasiti neki stari artefakt. Svojom jednostavno\u0161\u0107u pravi kontrast prema arhitektonskim zanatskim detaljima iz pro\u0161losti. U nekim slu\u010dajevima uspeva da izvede prave skulpture od betona. Odli\u010dan primer je ulazni portal na Arhitektonskom fakultetu u Veneciji.\u00a0<\/p>

Skarpa ume da obogati beton kontrastnim, zlatnim detaljem. Zlatne linije na udubljenjima betona, koja nastaju od oplate u koji se uliva beton, njegov su izum i autorski pe\u010dat.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Nepravilan muzi\u010dki ritam- sinkopa<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nepravilan ritam prozora Karlo Skarpa, \"Casa Borgo - Carlo Scarpa\" by August Fischer is licensed under CC BY-ND 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Sinkopa u ritmu fasade, Karlo Skarpa, \"Casa Borgo - Carlo Scarpa\" by August Fischer is licensed under CC BY-ND 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jo\u0161 jedan izum Mondriana napravio je ogromnu razliku u arhitekturi. Nepravilan ritam, tzv sinkopa sa Mondrianovih slika<\/a><\/strong><\/span> Skarpa je prvo u malim dozama i pa\u017eljivo prenosio na dizajn enterijerskih zidnih i podnih panela. U zreloj fazi slobodno koristi ovaj ritam za formiranje fasadnih otvora. Celi objekti sagradjeni su sa ovakvim iznenadjuju\u0107im rasporedom prozora.<\/p>

To je najve\u0107a promena u likovnosti savremene arhitekture koja podse\u0107a na klasi\u010dnu gradnju. Objekti \u010dija se fasada oslanja na ritam sinkope tek se u ovom trenutku u potpunosti slobodno koriste u savremenoj arhitekturi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Rekonstrukcija Palazzo Abatellis u Palermu, Sicilija<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Unutra\u0161nje dvori\u0161te Palazzo Abatellis, \"Palermo capodanno 2006-07\" by psub is licensed under CC BY-SA 2.0.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Arkade unutra\u0161njeg dvori\u0161ta Palazzo Abatellis ,\"File:Arcades - Palazzo Abatellis - Palermo - Italy 2015.JPG\" by Jos\u00e9 Luiz is licensed under CC BY-SA 4.0. \u00a9 Jos\u00e9 Luiz Bernardes Ribeiro<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Arhitekta Karlo Skarpa\u00a0 je pozvan da rekonstrui\u0161e i obnovi ove objekte koji su pre\u017eiveli veliku \u0161tetu prilikom bombardovanja u II Sv. ratu. Zajedno formiraju unutra\u0161nje dvoriste a njihove fasade su pretrpele nave\u0107u intervenciju.<\/p>

Odlu\u010dio se za kontra intervenciju- umesto dodavanja elemenata on ulep\u0161ava oduzimanjem. Obra\u010dunava se sa la\u017enim elementima fasade u vidu dogradjenih terasa i uklanja ih.<\/p>

Skarpa je u ovom dvori\u0161nom izgledu ujedna\u010dio visine objekta. Sve je likovno pojednostavljeno i povezano slojem savremenog fasadnog maltera Oko prozora ostavio je precizan okvir originalnog materijala.\u00a0Na taj na\u010din je naglasio\u00a0 pripadnost drugom vremenu i estetici.<\/p>

Palata Abatellis dobila je javnu namenu- postala je muzej.\u00a0Postavka umetni\u010dkih dela u prostoru va\u017ena je karakteristika njegove kreacije. Kao i u Muzeju Kastelvekio u Veroni, svaka umetnina ponaosob dobila je poseban, specijalan tretman.\u00a0<\/p>

Kako arhitekta Karlo Skarpa\u00a0 izla\u017ee artefakte mo\u017eete pogledati u videu snimljenom u Veroni, u Starom Zamku objavljenom na You Tube-u na kanalu Arxxi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Muzej Korer, Trg Sv. Marka, Vencija<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“St Marks Square Venice<\/a>” by\u00a0Chris O'Brien Wicklow<\/a>\u00a0is licensed under\u00a0CC BY 2.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Italijanski arhitekta Karlo Skarpa (Carlo Scarpa) rodjen je u Veneciji koja je bila njegovo glavno polje delovanja. <\/p>","protected":false},"author":1,"featured_media":19199,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18],"tags":[60,103],"class_list":["post-14140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kontrast-u-arhitekturi","tag-muzika","tag-italija"],"yoast_head":"\nKako rekonstruisati pro\u0161lost? 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