{"id":9349,"date":"2021-07-31T21:47:31","date_gmt":"2021-07-31T19:47:31","guid":{"rendered":"https:\/\/arxxitektura.rs\/?p=9349"},"modified":"2026-02-26T09:01:39","modified_gmt":"2026-02-26T08:01:39","slug":"pit-mondrian-slika-ritam-linijom-i-bojom","status":"publish","type":"post","link":"https:\/\/arxxitektura.rs\/en\/pit-mondrian-slika-ritam-linijom-i-bojom\/","title":{"rendered":"Piet Mondrian captures rhythm through the use of lines and colors"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t\t\t\tEverything is expressed through mutual relations\t\t<\/h3>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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olandski slikar Pit Mondrian slika ritam na svojim platnima. Mondrian uspostavlja svoja pravila slikaju\u0107i u po\u010detnim fazama pejza\u017ee sa fokusom na stablu drveta. Predstava drveta bila je motiv koji je koristio za geometrijske eksperimente godinama. Evoluirala je kroz razne slikarske pravce i postepeno se pribli\u017eavala apstrakciji. U finalnim fazama postala je potpuno nepoveziva sa ljudskom predstavom drveta. Taj proces je trajao ceo njegov radni vek a pro\u0161ao je kroz 5 faza.\n\n<\/p>\n\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kao i drugi slikari apstrakcije, Mondrian se oslanjao na muzi\u010dke kompozicije. Na svojim platnima Mondrian slika ritam i naziva ih imenima plesnih pravaca. Bugi-Vugi opus predstavlja najslo\u017eeniji ritam i pripada finalnoj fazi \u017eivota i slikarstva.\u00a0<\/p>

Proces razvoja, kroz koji je pro\u0161ao, podjednako je va\u017ean koliko i njegova najpoznatija faza Neoplasticizma koje se vezuje za nastanak \u010dasopisa De Stijl<\/a>This magazine made a huge impact on contemporary architecture. The visual concept of neoplasticism is visible in the works of many architects and architectural movements of the 20th century.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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New style- Neoplasticism<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mondrian, Kompozicija sa pravougaonicima u boji 5 ,1917.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Piet Mondrian (1872\u20131944), Composition with Colour Planes 5, 1917<\/a>” by\u00a0Tulip Hysteria \/ Go to albums<\/a>\u00a0is marked with\u00a0Public domain mark 1.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Mondrian, Platno br.2 kompozicija br.7, 1913.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Piet Mondrian (1872\u20131944), Tableau No. 2 \/ Composition No. VII, 1913<\/a>” by\u00a0Tulip Hysteria \/ Go to albums<\/a>\u00a0is marked with\u00a0Public domain mark 1.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nakon kra\u0107eg boravka u Parizu, gde se upoznaje sa slikarstvom Pikasa i Braka, vra\u0107a se u Holandiju i formira, zajedno sa Teo Van Duzburhom (Theo Van Doesburg), \u010dasopis De Stajl. Tu su dali prostor slikarima, vajarima, pesnicima i arhitektama koji su sanjali o sintezi umetnosti i \u017eivota.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The painting style that arose then is called Neoplasticism, it is based on straight lines and primary, basic colors.\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mondrian is looking for an answer to whether it is possible to use color as self-sufficient without the need to represent something. While other painters from the beginning of the 20th century tried to make a connection between color and emotion, Mondrian went one step further. He renounces emotions in his painting. He turns to painting the establishment of tension.<\/p>

\u017deleo\u00a0 je da napravi sliku koju bi ljudi iz bilo koje kulture na zemlji\u00a0 mogli da razumeju univerzalno\u2013 \u010distu sliku koja bi imala smisla kako za australijskog tako i za Evropskog starosedeoca .<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hegel's definition of contrast <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t\t\t\tUniverzum je kontrolisan tenzijom i kontradikcijom. Svaki predmet je definisan sopstvenim kontrastom\u2026.. Kontrast je izvor neprekidne vibracije i energije. \n\n\nHegel\n\t\t<\/h4>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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This Hegelian idea does a great job of clarifying the term\u00a0juxtaposition<\/em>\u2013 a term that will find enormous value in contemporary architecture. The combination of opposite styles contributes to a clearer perception of each style individually. This approach excludes competition between the two parts, based on comparing common elements. The contrast establishes a communication that cannot truly compromise the value of any component. Another interpretation of the juxtaposition is bordering (with a neighboring object). Insurmountable boundaries were established between the two elements. Each one is a whole for itself, there is no permeation and fusion between them.<\/p>

Kroz\u00a0\u00a0 sliku\u00a0 Kompozicija sa pravougaonicima u boji 5, mogu\u0107e je sagledati uticaj filosofije Hegela na Mondriana koju je me\u0161ao sa\u00a0\u00a0 teosofijom. Pravougaonici u kontrasnim bojama omogu\u0107avaju da se svaka boja bolje sagleda i defini\u0161e. Nepravilnost podele, slobodno postavljeni pravougaonici po\u010detak su rada na novom ritmu.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rhythm of music<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In the painting Chessboard, the artist uses a regular geometric pattern as the basis for his rhythmic composition. Piet Mondrian paints rhythm using color grouping. Alongside his experiments with the geometric division of shapes, he also explored color in a similar manner.\u00a0\u00a0<\/p>

Ova umetnost \u00a0nije zavisila od iluzija poput dubine i perspektive, ravna je i direktna.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Following the Chessboard picture, where the correct pattern was applied, a different division is decided. The irregular division, which dominates his paintings from the Neoplasticism phase, belongs to the syncopated rhythm characteristic of jazz.<\/p>

U cilju stvaranja\u00a0 univerzalne slike, Mondrian je odlu\u010dio da vizuelnu umetnost treba pojednostavit\u00a0 do njene su\u0161tine, a su\u0161tina je linija i boja. Odnosi ovih jednostavnih elemenata stvaraju ritam.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t\t\t\tColored planes, both in position and dimension, and in the value given to color, plastically express only relationships, not forms.\t\t<\/h4>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u0160ahovska tabla kompozicija u svetlim bojama <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Piet Mondrian (1872\u20131944), Composition with Grid 9: Checkerboard Composition with Bright Colours, 1919<\/a>” by\u00a0Tulip Hysteria \/ Go to albums<\/a>\u00a0is marked with\u00a0Public domain mark 1.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Kompoziicja u beloj, crnoj i crvenoj <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Piet Mondrian: Composition in White, Black and Red (MoMA – New York)<\/a>” by\u00a0scalleja<\/a>\u00a0is licensed under\u00a0CC BY-SA 2.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Strastveno posvec\u0301en plesu i ritmu, Mondriana su oduvek privla\u010dile najnovije tendencije u plesnoj muzici. Krajem 1920-ih nazvao je dve slike Fox Trot A i B po popularnom ameri\u010dkom plesu, nedavno uvedenom u Evropi. Nove umetni\u010dko- plesne forme prepune su d\u017eeza. Na ovim slikama vizuelni ritam je postizao suprotsavljanjem pro\u010di\u0161\u0107enih likovnih sredstava. Piet Mondrian paints rhythm<\/a><\/strong> ratio of thin and full lines, surfaces, and position of the canvas. Dynamics and movement are established in a few simple steps.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fox Trot A <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Piet Mondrian – Fox Trot A<\/a>” by\u00a0Kent Wang<\/a>\u00a0is licensed under\u00a0CC BY-SA 2.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Pobeda Bugi Vugi<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“Piet Mondrian (1872\u20131944), Victory Boogie Woogie (unfinished), 1942\u20131944<\/a>” by\u00a0Tulip Hysteria \/ Go to albums<\/a>\u00a0is marked with\u00a0Public domain mark 1.0<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Syncope in music<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a0In the Boogie-Woogie series, small squares of red, blue, and gray, along with moving lines, were added to the basic composition. This addition gives the whole piece a new pace. staccato<\/em> ritam. Muzika Bugi-Vugi, sa neo\u010dekivanim ritmom, zvanim sinkopa, vizuelno je razra\u0111ena na \u00a0slici.<\/p>

Syncope<\/em><\/a> in music, it expresses mental restlessness, due to the disturbed normal arrangement of accents in the beat.<\/p>

The analysis concluded that there was a systematic approach to the mathematical division of the canvas. This division represented different sections of the musical notes. When the new staccato tempo emerged, it was depicted in small forms, similar to eighth and sixteenth notes. In this manner, Mondrian captured the rhythm of music in his paintings.<\/p>

\u00a0However, the daily pulsating rhythm of New York and Broadway exerted the greatest influence on his last paintings.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mondrian Kompozicija II , Narodni muzej , Beograd<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Na fotografiji je predstavljena\u00a0 Mondrianova slika pod nazivom\u00a0 Kompozicija II. This painting is part of the permanent exhibition<\/span> Narodnog muzeja u Beogradu, Srbija.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Slikari apstrakcije su se oslanjali na muzi\u010dke kompozicije , tako i Pit Mondrian slika ritam na platnima nazvanim po imenima plesnih pravaca .<\/p>","protected":false},"author":1,"featured_media":9005,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,20],"tags":[60,101,104,111],"class_list":["post-9349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-kontrast-u-umetnosti","tag-muzika","tag-beograd","tag-njujork","tag-apstraktna_umetnost"],"yoast_head":"\nPit Mondrian slika ritam linijom i bojom ⋆ ARXXITEKTURA<\/title>\n<meta name=\"description\" content=\"Slikari apstrakcije su se oslanjali na muzi\u010dke kompozicije , tako i Pit Mondrian slika ritam na platnima nazvanim po imenima plesnih pravaca .\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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