{"id":9630,"date":"2023-07-15T17:47:17","date_gmt":"2023-07-15T15:47:17","guid":{"rendered":"https:\/\/arxxitektura.rs\/?p=9630"},"modified":"2025-08-11T19:25:46","modified_gmt":"2025-08-11T17:25:46","slug":"moderna-umetnost-i-nacisti","status":"publish","type":"post","link":"https:\/\/arxxitektura.rs\/en\/moderna-umetnost-i-nacisti\/","title":{"rendered":"Modern art and the Nazis"},"content":{"rendered":"
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\n\tO<\/span>\n\t\t\t

ve nedelje otkriveno je da je u stanu u Minhenu prona\u0111ena ogromna zaliha moderne umetnosti. Mnoge slike su nacisti smatrali \u201edegenerativnim\u201c, postavljajuc\u0301i izlo\u017ebu specijalno da bi ih ismevali. Za\u0161to je Hitler toliko mrzeo apstraktnu umetnost?\nU julu 1937. g, \u010detiri godine nakon \u0161to je do\u0161la na vlast, nacisti\u010dka stranka priredila je dve umetni\u010dke izlo\u017ebe u Minhenu. Moderna umetnost je bila izlo\u017eena podsmevanju.\n<\/p>\n\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Degenerativna umetnost : Za\u0161to je Hitler mrzeo modernizam <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Velika nema\u010dka umetni\u010dka izlo\u017eba kreirana \u00a0je da prika\u017ee dela koja je Hitler odobrio. Prikazuju skulpturalne \u00a0plavokose aktove, idealizovane vojnike i pejza\u017ee.<\/p>

Druga izlo\u017eba, odmah niz ulicu, pokazala je drugu stranu nema\u010dke umetnosti-modernu, Ovde je prikazana apstraktna nereprezentativna- ili kako su je nacisti videli- degenerativna\u201c.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Izlo\u017eba degenerisanih umetni\u010dkih dela obuhvatala je dela nekih od velikih me\u0111unarodnih imena – Pol Klea, Oskara Koko\u0161ke i Vasilija\u00a0Kandinskog<\/a><\/strong> – zajedno sa poznatim nema\u010dkim umetnicima tog doba, kao \u0161to su Mak Beckmann, Emil Nolde i Georg Grosz.<\/p>

U priru\u010dniku za izlo\u017ebu obja\u0161njeno je da je cilj izlo\u017ebe \u00a0\u201eotkrivanje filozofskih, politi\u010dkih, rasnih i moralnih ciljeva i namera koji stoje iza ovog pokreta i pokreta\u010dkih snaga korupcije koje ih prate\u201c.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Plakat za Izlo\u017ebu degenerativne umetnosti , by Susanlenox is marked with CC PDM 1.0<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Britanski umetnik Robert Medlei oti\u0161ao je da vidi izlo\u017ebu. “Bila je ogromna gu\u017eva i sve slike su visile poput neke pokrajinske aukcijske prostorije u kojoj su stvari jednostavno zakucane po zidu, bez logike i smisla. To je stvorilo efekat da su ovo bezvredne stvari”, ka\u017ee on.<\/p>

Uklju\u010dena su dela ako su bila apstraktna ili ekspresionisti\u010dka, ali u odre\u0111enim slu\u010dajevima i ako je delo jevrejskog umetnika\u201c, ka\u017ee Jonathan Petropoulos. On je profesor evropske istorije na koled\u017eu Claremont McKenna i autor nekoliko knjiga o umetnosti i politici u Trec\u0301em Rajhu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gu\u017eva na izlo\u017ebi moderne umetnosti<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ka\u017ee da je izlo\u017eba postavljena sa jasnom \u00a0namerom da se podstakne negativna reakcija.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Slike su bile obe\u0161ene iskrivljeno , na zidovima su bili grafiti koji su vre\u0111ali umetnost i umetnike i iznosili tvrdnje zbog kojih je ova umetnost izgledala neobi\u010dno , sme\u0161no.<\/h5><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Hitler je bio umetnik pre nego \u0161to je postao politi\u010dar. Ali realisti\u010dne slike zgrada i pejza\u017ea koje je vi\u0161e voleo umetni\u010dki establi\u0161ment, zajedno sa likovnim kriti\u010darima, odba\u010dene su u korist apstraktnih i modernih stilova.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tako je Izlo\u017eba degenerisanih umetnosti bio njegov trenutak da se osveti. Tog leta je odr\u017eao govor o tome, rekav\u0161i:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0\u201eUmetni\u010dka dela koja se ne mogu razumeti sama po sebi, ve\u0107 im je potrebna neka pretenciozna knjiga sa uputstvima koja bi opravdala njihovo postojanje, nikada vi\u0161e nec\u0301e nac\u0301i put do Nema\u010dkog naroda.<\/h5><\/blockquote>

Nacisti su tvrdili da je degenerativna \u00a0umetnost plod Jevreja i bolj\u0161evika. No, samo \u0161est od 112 umetnika, koliko ih je bilo izlo\u017eeno na izlo\u017ebi, su bili Jevreji.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Soba ludila- moderna umetnost<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Umetnost je bila podeljena u razli\u010dite prostorije po kategorijama- umetnost koja je bila bogohulna, umetnost jevrejskih ili komunisti\u010dkih umetnika, umetnost koja je kritikovala nema\u010dke vojnike, umetnost koja je vre\u0111ala \u010dast nema\u010dkih \u017eena.<\/p>

Jedna soba prikazivala je potpuno apstraktne slike i nosila je oznaku \u201esoba ludila\u201c.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Na slikama i crte\u017eima ove komore strahota ne mo\u017ee se rec\u0301i \u0161ta je bilo u bolesnom mozgu onih koji su mahali \u010detkom ili olovkom.<\/h5><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0navodi se u priru\u010dniku izlo\u017ebe.<\/p>

Ideja izlo\u017ebe nije bila samo da se ruga modernoj umetnosti, vec\u0301 da podstakne gledaoce da je vide kao simptom zle zavere protiv nema\u010dkog naroda.<\/p>

Kustosi su se potrudili da prenesu poruku, unajmljujuc\u0301i glumce koji c\u0301e se dru\u017eiti sa gomilom i kritikovati eksponate.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Izlo\u017eba degenerisanih umetnosti u Minhenu privukla je vi\u0161e od milion posetilaca – tri puta vi\u0161e od zvani\u010dno podr\u017eane \u00a0Velike Nema\u010dke izlo\u017ebe umetnosti.<\/p>

Neki su shvatili da bi im to mogla biti poslednja prilika da vide ovu vrstu umetnosti u Nema\u010dkoj, dok su drugi podr\u017eali Hitlerove stavove. Mnogi ljudi su tako\u0111e do\u0161li zbog skandala oko izlo\u017ebe.\u00a0 Ali, nisu samo nacisti\u010dki simpatizeri smatrali da je umetnost odbacujuc\u0301a.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fritz Lustig je bio mladi jevrejski \u0161egrt koji je i\u0161ao da vidi umetni\u010dka dela. Ka\u017ee da \u201eizgleda da nisu mnogo zna\u010dili. Ako su bili portreti, \u010dinilo se da iskrivljuju lica. Ako su to stvari, \u010dinilo se da se prili\u010dno razlikuju od onoga kako su stvari zaista izgledale. Mislim na re\u010d degenerativno- \u010dinilo mi se da je\u00a0 primenjiva \u201c.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Izlo\u017eba je obi\u0161la celu Nema\u010dku, gde ju je videlo jo\u0161 milion ljudi.<\/p>

Nacisti su neke od ovih dela \u00a0kasnije spalili, a mnogim umetnicima ovo je bio po\u010detak vrlo te\u0161kih vremena.<\/p>

Ali Petropulos ka\u017ee da se za neke ispostavilo da je zabrana od strane nacista imala pozitivnu stranu .<\/p>

Ovaj\u00a0 umetni\u010dki pravac postao je privla\u010dniji u inostranstvu, ili je \u00a0u antinacisti\u010dkim krugovima dobio vrednosti jer su mu se nacisti usprotivili, i mislim da je dugoro\u010dno bilo dobro da se moderna umetnost posmatra kao ne\u0161to \u0161to su nacisti mrzeli i prezirali.<\/h5><\/blockquote>

Neki umetnici predstavljeni na izlo\u017ebi danas se smatraju velikanima moderne umetnosti.<\/p>

prevod teksta\u00a0<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Prevod teksta Degenerate art Why Hitler hated modernism, BBC NEWS. Moderna umetnost i nacisti<\/p>","protected":false},"author":1,"featured_media":10005,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20],"tags":[100,107],"class_list":["post-9630","post","type-post","status-publish","format-link","has-post-thumbnail","hentry","category-kontrast-u-umetnosti","tag-pariz","tag-nemacka","post_format-post-format-link"],"yoast_head":"\nModerna umetnost i nacisti ⋆ ARXXITEKTURA<\/title>\n<meta name=\"description\" content=\"Prevod teksta Degenerate art Why Hitler hated modernism, BBC NEWS. Moderna umetnost i nacisti. Za\u0161to je Hitler mrzeo modernizam?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arxxitektura.rs\/en\/moderna-umetnost-i-nacisti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moderna umetnost i nacisti ⋆ ARXXITEKTURA\" \/>\n<meta property=\"og:description\" content=\"Prevod teksta Degenerate art Why Hitler hated modernism, BBC NEWS. Moderna umetnost i nacisti. 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Moderna umetnost i nacisti. 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